Stumbling upon a signed Pulitzer Prize photo

Collections are easily created in the journalism field. From research to notebooks to published articles, piles are quickly amassed especially after decades of reporting.

Such was the case for Edmund Pinto who had reported for East Coast newspapers before eventually moving to the Associated Press, and then to press secretary for two United States Senators.

His daughter, Joline Pinto Atkins, gave me his collection to digitize. It consisted of three scrapbooks and a plastic bin full of loose documents, clippings, photographs, and negatives.

In the plastic bin, amongst articles about the Attica prison riot in New York, a string of bank robberies, New York politics, and numerous other features, was a signed photograph that immediately caught my eye.

The photograph depicted African American men exiting a building with rifles in their hands. A uniformed police officer and two white men stand by looking unconcerned. The two African American men in the forefront look defiant and purpose driven. One, with his chin up high, wears two belts of shotgun shells – one around his waist and the other over his shoulders – a stark contrast against his white jacket.

Scrawled on the bottom of the photo in black marker are the words, “Hang in there Eddie – Steve Starr ‘70”.

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Steve Starr was a young photographer working for the Associated Press when he took the photo of these armed men exiting a building. He was the editor of his high school newspaper in San Diego, CA and also doubled as a photographer since their paper didn’t have one. He continued with photography because he believed he could make a difference and move people to respond to his photographs with compassion.

After five years at San Jose State University, he graduated with a BA in journalism. During his last two years of study, he had worked at the Mercury News. Upon his graduation, the Associated Press hired him. He worked as a photo editor in New York City before transferring to Albany, NY.  

As a staff photographer for the Associated Press, Starr covered upstate New York. So when armed African American students took over a building at Cornell University, Starr was dispatched to the scene.

In 1969, newly admitted African American students encountered racial slurs and actions including the burning of a cross. In response to these racist incidents, African American students held several demonstrations on campus.

The protests escalated when African American students took over the student union on Friday, April 18, 1969. The protesters evicted both students and their parents, since Parent’s Day Weekend was also occurring.

After the African American demonstrators took over the building, fraternity students started a fistfight. This is when it was discovered that the African American demonstrators had secretly brought in rifles and shotguns to defend themselves. After this discovery, intense negotiations were begun by university officials in an attempt to bring the demonstration to a peaceful end.

On Sunday, April 20, the African American students took an amnesty agreement and exited the building with their weapons. Starr was at the doorway to capture their exit.

Provided by Steve Starr

Provided by Steve Starr

Starr had been assigned to photograph the demonstration by Ed Pinto – the journalist whose collection I had been digitizing. Pinto worked as a News Editor in Albany for the AP. Working at the AP during that time was stressful, Starr explained. The AP was in a competition with United Press International (UPI) and was always trying to be the first with news and photographs.

Being a 24-year-old photographer who was physically capable of keeping up with the action, Starr became the go-to person for documenting student demonstrations in the northeast United States. Starr had covered numerous student demonstrations and even had his right arm broken by a Buffalo police officer that was trying to hit Starr’s Nikon with his nightstick.

On the day that the students were to end their occupation of the student union, Pinto told Starr to stay put outside of the building for when the armed students came out. This is a moment that the AP didn’t want to miss. When they did, Starr was ready with his Nikon F, equipped with a 28 mm lens and a roll of Tri X film.

Provided by Steve Starr

Provided by Steve Starr

The atmosphere was tense and there was fear that gunfire could break out at any moment. After the demonstrators exited, Starr followed them to their building. The reporter on the story filed a “bulletin”, which meant it was a major news story in the AP world.

Provided by Steve Starr

Provided by Steve Starr

Starr set up at the local newspaper, the Ithaca Journal and used their darkroom to develop his film and make prints. He used his own developer chemicals and paper for better control of the process. He wrote the caption in perfect AP style on his portable typewriter with a fresh, black typewriter ribbon.

Starr also brought along his analog picture transmitter, which was larger than the device the paper had. In order for the picture transmitter to work, Starr had to wire it into an AT&T telephone junction box. He ended up sending a series of photographs back to the AP.

A little over a year later, on May 4, 1970, Starr’s picture was awarded the Pulitzer Prize. On the same day, the Ohio National Guard killed four Kent State students. The photographer on the scene, John Filo, would also be award a Pulitzer Prize for the now famous photograph he took there.

Starr’s photograph also won the George Polk and Headliners Award that spring. When it was time for the Pulitzer Prize to be decided, Starr was in the AP office watching the Teletype for news. He won.

An old newsroom joke about the Pulitzer being awarded to him was told, Starr remembers. “Well, now at least the first three words of your obituary are already written,” they told him. 

Young Steve Starr. Provided by Steve Starr

Young Steve Starr. Provided by Steve Starr

As for the men in Starr’s photograph, he’s reached out to a few of them. Skip Meade became a world famous W.E.B. Dubois scholar at the University of Massachusetts at Amherst. Ed Whitfield is the co-founder and co-managing director of the Fund for Democratic Communities based in North Carolina. Tom Jones, who led the protest, is a senior partner of TWJ Capital LLC and was chairman and CEO of Citigroup Inc.’s Global Investment Management. He was also recently elected as a trustee of Cornell University.

Viewing Starr’s photographs of this armed demonstration today brings up a lot of familiarities. There are still many injustices that African Americans must face in today’s world. The issues of gun control and gun rights are also a large part of our modern discussion. 

“Today I think a SWAT team would have engaged the students with deaths and injuries,” Starr wrote back in response to my question as to whether or not he thinks the situation would have been handled differently today.

“The Cornell administration talked down the local and state police at Cornell and met all of the student’s demands, including keeping their guns, a decision that cost the Cornell President James Perkins his job.”

After winning the Pulitzer Prize, Starr was transferred to the Miami AP office. He later resigned from the position in 1973 and began to run his own business. In 1985, he returned to news photography and joined the Saba Press Photos Agency and worked mostly for Newsweek. Topics he covered included violence in Salvador, Panama, and Haiti. In 1992, he started as the Los Angeles bureau manager for Saba and continued in this position for four years. He covered the Rodney King riots, the O.J. Simpson trial and the Academy Awards.

In 1996, Starr and his wife moved to Colorado Springs, CO so that he could pursue his faith. He recently has taken vows as a Franciscan Friar, married third order, and serves at Grace and St. Episcopal Church in a pastoral role.

You can also read a great summary of the events on Starr’s personal website (http://stevestarr.com/pulitzer-prize).

Digitization in the Big Apple

In the short time that my business has been in existence (since November 2017), I have received many tips and leads from friends and coworkers. This is what happened with what would become my first big, out-of-state gig. 

Amanda, a friend, and real archivist sent me a Facebook post that was on the Mid-Atlantic Regional Archives Facebook page. The job was advertised as photographing a small, private collection of items including a book. It was estimated that the collection was two linear inches. In all honesty, I never knew linear inches was a thing and therefore wasn't quite able to visualize how much material there was. Nevertheless, it was right up my alley and sounded like a do-able job. 

So, I reached out to a woman named Margot who had made the post and, long story short, I got the gig! Two weeks later, I was driving out to New Jersey to stay at my cousin's apartment before the job the next day. 

My cousin Kim and me in Pret a Manger (a business I had never heard of before this trip).

My cousin Kim and me in Pret a Manger (a business I had never heard of before this trip).

Thankfully, my cousin Kim rode the NJ transit train into NYC with me and helped me navigate to my assignment. I was especially thankful for her when we got to Penn Station. There were poorly designed signs and arrows pointing every which way. We got the true New York experience from a construction worker who gave us 'tude in a thick New Yorker accent when we asked for directions.

We were greeted with a torrential downpour when we came out of the subway station along 59th Street near Central Park. We knew there was going to be rain, but not this much. I had my portable lightbox with me and was worried about it getting wet. It's about the size of an artists portfolio, so it's near impossible to get it all under the cover of an umbrella. Fortunately, there was construction scaffolding with wooden planks above the sidewalk that gave us good cover for the two blocks we had to walk in order to get to Pret a Manger (a coffee/cafe shop chain based in the UK). 

Pictures don't do the storm justice. The one on the left is a view from the coffee shop once the storm had lifted. When we had left the subway, it was almost dark out and the tops of buildings could not be seen. I asked Kim if there was a hurricane coming through that we didn't know about. The weather made for an eerie, apocalyptic atmosphere.

Margot, the archiving consultant and contact I had talked to about the job, arrive at the cafe soon after we did. I said goodbye to my cousin and followed Margot one block back the way I had come. By this time, the rain had stopped so it was a much more pleasant walk. 

After checking in with the front doorman, we went up the elevator to the client's apartment. Located off of Central Park, the apartments had to be very expensive to live in, but other than its cost the residence look normal - nothing too fancy or extraordinary. 

After briefly talking to the clients I set up my light box. The first and main item was a luach. Along with linear inches, I had never heard this term before either. A luach is a Jewish term for a calendar that shows start and end times for festivals - usually the Sabbath. This particular luach listed the start and end of the Sabbath all the way back to the mid-19th century! It also included notations about the birth and deaths of certain family members. Towards the end of the book, handwritten notes about births, deaths, and marriages were also listed. A handwritten, first hand account of the Chicago Fire of 1871 was also in the book.

After photographing the book, I moved on to family photographs and documents. The documents that the clients have are great historical pieces. They are very interesting to read through and its thrilling to know that some have survived for at least 150 years. 

Another interesting item was a prototype of a mechanism dealing with trolley cars. Along with this item was the actual patent issued to the client's ancestor in 1905.

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I think my favorite item would be a land grant from President James Buchanan dated 1858. I didn't realize what it was until I reviewed my photos during editing. What an item to handle!  Along with this certificate were letters to the Office of Indian Affairs.

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As you can see, the document is actually signed. Buchanan's signature has faded over all this time. It made me wonder if the certificate I received for being a good student as a part of the George W. Bush's administration No Child Left Behind Act will every be worth anything with its rubber-stamped, reproduced Presidential signature.  Probably not.

Overall, the job took about 5 and a half hours. It was well worth it and I feel incredibly fortunate to have had this opportunity. 

The Archivist's Hiraeth: An Introduction

Purpose

This blog is called The Archivist's Hiraeth and aims to provide posts about the work that is done by Allegheny Archives & Media LLC as well as other topics. These topics include reading, literature, preservation techniques, archival studies, library science, and more. 

Name meaning

An archivist, of course, is an individual who is responsible for an archive. They maintain, preserve, and provide access to these archives. 

Hiraeth is a Welsh word that doesn't neatly translate into English. To the best of my reading and knowledge, it translates to a feeling of homesickness for a place that you cannot go or return to or a home that just doesn't exist. A blog post by Samantha Kielar has a wonderful explanation and is hyperlinked in this sentence. She writes that the word's meaning is multi-layered and that it evokes:

"The place where your spirit feels most at home may be a physical location that you can return to at any time, or it may be more nostalgic of a home, not attached to a place, but a time from the past that you can only return to by revisiting old memories. Maybe your spirits home could even be neither of the above, one from which you are not only separated by space or time but instead a place that never was, where you can only go in your imagination."

Therefore, based on this wonderful explanation and definition, the blog's name is an attempt to describe the postings that will be made as a digital home and place of desire for archivists, history lovers, bookworms, and more. 

Blogger Background

I (Gwen) graduated from Ohio University with a degree in Visual Communications with a focus on photojournalism in 2013. Currently, I work at a small newspaper 30 minutes north of Pittsburgh, PA as a videographer. Working for a newspaper has allowed me to explore many different topics. By no means am I a writer. This is my first attempt at any sort of blog (excluding the half-hearted attempt at a Xanga progile in the early 2000s). If I hadn't majored in visual communications, I would have gone for some sort of archival studies.  I love to read, I love storytelling, and I love dogs. I really, really love dogs.